Ticket Information:

  • Admission: Free

Dates:

  • Tue 3 Sep 2024, 9:00am–4:00pm
  • Wed 4 Sep 2024, 9:00am–4:00pm
  • Thu 5 Sep 2024, 9:00am–4:00pm
  • Fri 6 Sep 2024, 9:00am–3:00pm
  • Sat 7 Sep 2024, 10:00am–3:00pm
  • Sun 8 Sep 2024, 10:00am–3:00pm
  • Mon 9 Sep 2024, 9:00am–4:00pm
  • Tue 10 Sep 2024, 9:00am–4:00pm
  • Wed 11 Sep 2024, 9:00am–4:00pm
  • Thu 12 Sep 2024, 9:00am–4:00pm
  • Fri 13 Sep 2024, 9:00am–3:00pm
  • Sat 14 Sep 2024, 10:00am–3:00pm
  • Sun 15 Sep 2024, 10:00am–3:00pm
  • Mon 16 Sep 2024, 9:00am–4:00pm
  • Tue 17 Sep 2024, 9:00am–4:00pm
  • Wed 18 Sep 2024, 9:00am–4:00pm
  • Thu 19 Sep 2024, 9:00am–4:00pm
  • Fri 20 Sep 2024, 9:00am–3:00pm
  • Sat 21 Sep 2024, 10:00am–3:00pm
  • Sun 22 Sep 2024, 10:00am–3:00pm
  • Mon 23 Sep 2024, 9:00am–4:00pm
  • Tue 24 Sep 2024, 9:00am–4:00pm
  • Wed 25 Sep 2024, 9:00am–4:00pm
  • Thu 26 Sep 2024, 9:00am–4:00pm
  • Fri 27 Sep 2024, 9:00am–3:00pm
  • Sat 28 Sep 2024, 10:00am–3:00pm
  • Sun 29 Sep 2024, 10:00am–3:00pm

Restrictions:

All Ages

Bronwen Finn
My Current Work Reflects My Interest in the Beauty of Nature and in the Process of Re-using My Own Art Works from Previous Years. Charcoal Rubbings of Wood Grains, Leaves and Branches, Underpin Much of My Work, Which Is Created Digitally.
I Am Inspired by Edward Hopper for the Construction and Colour Palette of His Paintings; David Hockney, Who Uses His Ipad for Creating Art and Andre Derain of the Fauvists, for His Use of Colour.
I Continue to Explore the Balance Between Abstract and Realism and Am Always Looking for New Ways of Presenting Old Works, While Incorporating Patterns from Nature to Create Something Fresh and Interesting. I Do This by Adding Layers One on Top of the Other and Then Drawing into the Resulting Art Work Where Needed.

Jill Turley
My Intention Is to Represent Psychological States and Social Interaction Through the Collision of Planned Intention and the Variables of Materiality. In Doing So, I Hope to Heighten Our Awareness of Both the Strength and the Delicate but Unpredictable Balance of the Human Psyche and the Collective Unconscious.

Marg Graydon
For Me the Picture Plane Is a Place of Discovery. Basic Triangular Shapes Butt up Against Each Other in a Hard Edged Abstract Way.
The Painting Is Made up of Clean-edged Colour Which Reinforces the Flatness of the Picture Surface. The Triangle Is the Strongest Shape and Holds It’s Shape with a Base Which Has a Strong Support. The Colours I Use Represent to Me the Colour Field Found in Our Everyday Surroundings.

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