Ticket Information:

  • Admission: Free

Dates:

  • Sat 28 Sep 2024, 11:00am–12:00pm

Restrictions:

All Ages

Join us at The Dowse Art Museum to celebrate the opening of City Gallery Wellington’s new exhibition Derek Jarman: Delphinium Days. Hear from exhibition co-curators Lisa Beauchamp, Curator of Contemporary Art at Gus Fisher Gallery, Aaron Lister, Senior Curator (Toi) at City Gallery Wellington Te Whare Toi, as they reflect on Derek Jarman’s life and legacy in a guided tour through the exhibition.
Artist and activist Derek Jarman (1942-1994) is one of the most important and influential figures in twentieth century British culture. As an early campaigner for the rights of the LGBTQIA+ community and people living with HIV and AIDs, he created art that sought to challenge the normative culture and reigning neoliberal politics of his (and our) times.
This exhibition brings together rarely seen paintings and films by Jarman alongside photography and archival materials about the artist. Derek Jarman: Delphinium Days marks thirty years since the artist passed away from an AIDS-related illness at the age of 52. This is the first Aotearoa New Zealand exhibition of his work.

Derek Jarman: Delphinium Days is presented in partnership with The Dowse Art Museum. It has been co-developed by Gus Fisher Gallery and City Gallery Wellington Te Whare Toi. It is co-curated by Lisa Beauchamp, Curator of Contemporary Art at Gus Fisher Gallery, Aaron Lister, Senior Curator (Toi) at City Gallery Wellington Te Whare Toi, and Michael Lett.
This exhibition was made possible with the lead support of Tony Kerridge and Micheal Do, with additional support of the City Gallery Wellington Foundation, the Delphinium Days Exhibition Circle, and those who wish to remain anonymous. The Wellington Public Programme is brought to you by The British Council New Zealand and the Pacific. With thanks to Howard Sooley, Gordon Rainsford, Denis Doran, the Keith Collins Will Trust and Amanda Wilkinson, London. Films courtesy of LUMA Foundation and James MacKay.

Supported by British Council

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